Category archives: process

Taking a picture, part six: black and white digital printing

Thanks for your interest in my “Taking a Picture” series. Just as a note, I have continued improving my digital workflow and some of these notes are now out-of-date. Feel free to drop a line in the comments or contact me directly if you would like more information on my photographic workflow.

I’ve been planning to sit down and write this for quite a while, but I’ve been keeping very busy with other things. The fact that it is currently hailing outside has given me the chance to spend some quality time indoors, though. Much like my previous post on scanning, I am going to try to avoid going into excruciating detail on every step of my digital printing workflow, because I don’t think it will be worth reading for most people. The general ideas are more important, and I am glad to answer any specific questions in the comments or offline. That’s not to say this won’t be a very technical post, and a long one at that. Please remember that I am giving this final print away to someone who has commented on one of the posts in the series, so feel free to drop a line even if it’s just to say hello.

Black and white inkjet printing felt like a very daunting subject when I first approached it. Two years ago, I had a low-end HP inkjet printer which made acceptable 8×10 color prints, but was absolutely lousy for black and white. It was impossible to get profiles for non-HP papers, and there was practically no information about archival permanence for the paper and inks I was using. In short, I wanted to create black and white prints on matte paper that looked as good as or better than what I could produce in the darkroom, and I wanted them to last a very long time. So I took the plunge into the deep waters of selecting a printer and building a solid black and white digital printing workflow.
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Removing dust and scratches from scanned black and white film

If you’ve ever been frustrated with the clone stamp or the spot healing brush for removing dust and scratches from scanned film (both tools distort grain and destroy details), you may want to give this technique a try. This tutorial is optimized for black and white film, but it works well for color, too.

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Printing with Platinum and Palladium

Information about contemporary photographers who work in platinum and palladium. continue reading

Big Polaroid, Little Polaroid

Big Polaroid, Little Polaroid

Scanning and enlarging Polaroid photographs is fun. It’s been a long time since I did any color printing, too. I seem to have gotten the knack for it again.

This one is going to be for sale at the Brooklyn Indie Market tomorrow. How much should I charge for it?

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Party Like It’s 1999

Prints!

That’s right, it’s prints! I spent all weekend cloistered in the apartment working on prints for next Saturday’s Brooklyn Indie Market spring re-opening. It’s been a lot of work so far, and I’m still going to try to print up at least 15 more unframed prints before the end of the week.

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